Production

Our Production

The stories, the productions who are remarkable, awarded & made us previleged in theatre, are: “Yadio Satti”, “Murkir Hari” by the Assistance of Ministry of Culture Govt. of India, “Chandalika” by the Assistance of Ministry of Culture Govt. of India, “Dakghar”, “Guptadhan”, “Khayatir Birambana” by the Assistance of Ministry of Culture Govt. of India, “E Kon Agomoni” by the Assistance of Ministry of Culture Govt. of India, “ Bir Shikari” by the Assistance of Ministry of Culture Govt. of India, “Boka Tantir Galpo”, “Becharam Kenaram”. “Satti Rajar Deshe” by the Assistance of Ministry of Culture Govt. of India, “Sakshi Shyal”, “Haat Ganona”, “Durga Bivrat”.

Not only this but also our institutional head Mr. Biswanath Bhattacharjee participated on near about 45th  production as a director and on near about 15th production as an Actor. As a director his remarkable drama “CHANDALIKA”(by the help of Ministry of Culture, Govt. of India). “E KON AGOMONI”(By the help of Ministry of Culture, Govt. of India). “MAHALAYAY MAHAMAYA”(Awarded). “KHAYTER BIRIMBANA”(By the help of Ministry of Culture, Govt. of India). “BEER SHIKARI” (By the help of Ministry of Culture, Govt. of India). “AK JE CHILLO RAJA”(By the help of Ministry of Culture, Govt. of India). “JODIO SATTI"(Awarded). “SUDDHA SANDHAN”(Awarded). “SATTI RAJAR DESHE”, “BECHARAM KENARAM” etc.

 

* "Durga Bivrat (Durga's Jeopardy)"

We have mentioned before that some of our productions got tremendous success and rewarded & the play " Durga Bivrat (Durga's Jeopardy)" is one of them. It is a children drama & got a huge response from viewers, critics. Our honourble & beloved Sir, Mr. Biswanath Bhattacharjee is the director of this play. The story of this play basically shows a journey of Maa Durga & her children while coming on Earth during the largest festival of Bengalis in a light entertaining mode & also puts a message to all. Mother Durga was coming from heaven to this earth to attain in the Durga festival of Bengalis riding on the Oirabat of Indra. On the way oirabot denied to move further. Mother durga fell in a great trouble in the busy city Kolkata with her sons & daughters. Lakshmi and Saraswati were very pleased to see the puja market of kolkata and they persisted for buy the Skirts, Pants. Sarees and others from New Market. They did not obey Durga. their mother, after any hindrance from her.

Ganesh was always fond of food so he also persisted for special food and demanded to go to 5 star hotel to try the continental dishes, mughlai Dishes and Chinese dishes. Ganesh did not obey her mother. Durga requested kartick not go anywhere because she was afraid to stay alone on the road. Just then durga noticed that mahisasur also absent there. He flew away finding a scope.
 
Sometimes later Lakshmi and Saraswati returned after completing their marketing and Ganesh returned after taking a heavy meal. Asur means mahisasur also retuned with a few clothings and he told Ma Durga that he had stolen the kinds from the market. Ma Durga started to cry in sorrow and told that Asur had snatched from shops appearing to her father's kingdom.
 
The organisers of Puja committee were trying to connect with kartick over phone but Durga couldn't move from Dharmatala, how she could come to the puja pandel without her full members. The organisers fell in a great danger and were feeling tension that if they could not bring pratima in time the local people would scold and beat them.At last a prison van was arranged from Lalbazar and Durga started to go towards the puja mondop of Belgachhia sporting club with her family.
 
When goddess durga entered in to the pandel she found that the work of interior decoration of the pandel was going on By that time Durga noticed a mistake that she had left her Trisul in the prison van. How she could stand without Trisul. A few young boys collected an iron rod in lieu of Trisul. Maa Durga managed that situation with that instead of the Trisul. Consulting with Durga the local boys scheduled that they would tell the spectators that Trisul had been turned into iron-rod according to the alternation of theme. Mahisasur declared that he was free then because Trisul was not there in Druga's hand. He also told that durga could not kiil him as she has no Trisul in her hand. Asur Ran away camofledging himself in the crowd.
 
At last Durga appeared with that iron rod but Asur was nowhere. Whom did she kill ? The persons of that area threw a boy under the feet of Ma Durga and told that there had a lot of Asurs on the earth. Ma Durga look her position with that boy—cum—Asur. Suddenly a noise came from the outerside of that pandel and the clatter enhanced furiously. That very tourant Asur returned and told ma Durga with wrapping her feet that mother, heaven was good for him because the Asurs of earth were mote furious than heaven and the Asurs of earth beat him and compelled him to return again there. Everybody solicited with folded hands to her to kill the all Asurs neither the number of Asurs would be enhanced and they might be ruined the all creations of almighty.
Ma Durga killed the Asurs and standed on the platform as the typical frame of Asur mardini and the Drams started to roar and the cessation dance started.
 
(The main culture of the devotion of Durga has been lost due to the sound monster of sound like D.J, J.B.L, etc. They prayed to Ma Durga to draw back the main form of Durgapuja with the sound of traditional drums billing the sound monsters.)
 
    
 
    
 
 

 

Cast & Credit : 
Durga : Smriti Chakrabarty. Lakshmi : Meri Munda.
Saraswati : Jui Das. KartiK : Sagor Chatterjee. 
Ganesh : Nilanjan Banik. Asur : Tanmay Mondal. 
Bumba : Rahul Mondal. Taxi Driver : Thuin Das, Bishal Ghosh, Purnendu Barman. 
Others : Saheb Shil, Chayena Roy, Mamota Das, Subhendu Barman, Krishnendu Barman, Subhankar Tarafder. 
Music : Astik Majumder.
Design & Direction : 
Biswanath Bhattacherjee.
 
 
     

 

* " Haat Ganona "
Script : Mainak Sengupta
Desigen & Direction : Biswanath Bhattacherjee
 
Nanda uncle is a very gluttonous person. His age near about sixty. He likes to eat extremely. He takes food a lot but he has no disease for over eating though. Badyi mashai (doctor) becomes thoughtful to see that diseaslers old fellow. He thinks about uncle’s wellness and becomes anxious to think that how that old man is diseaseless without his medicine and diet. Badyi utters a cry of distress. He thinks that he will not get patient for his income and at last he will die for his income less position. So he makes a plan. At first he gives a proposal to uncle. Accroding to his proposal Nanda uncle will declare that he is healthy for the Badyi’s direction and prescription. But Nanda uncle denies and tells that as an honest person he is undone to tell lie.
 
Ganak thakur (astrologer) is also jealous for uncle’s wellness. He steals secretly uncle’s kapila cow by the help of an another person. Uncle comes to Ganak thakur (Astrologer) to get back his cow. Ganak thakur tells him that his kapila cow will. return to his house but he will die within a few days. Uncle becomes confuse and comes back from there without keeping faith on that astrologer. After returning home uncle notices that his kapila cow has come back. Uncle suspects that the Ganak thakur may be right. Uncle starts ill-behavior with everybody even Badyi and uncles wife are also failure to set him in proper order. Everybody realizes that bhando  Ganak is behind for uncles abnormal condition. The neighbors and local men go to the house of Ganak thakur (astrologer) including uncle’s wife.
 
They start to beat him and at last the pretender Ganak dies. By this way the power of devil is finished by the hand of even and positivity.
 
    
 
    

 

* " Kangsa Bodh Pala "
 
Script, design & Direction : Biswanath Bhattacherjee
 
Kangsa Bodh is an excellent serio-comic play containing a message how to eradicate the jealousy and greed as well. Moreover , there has ethics which haunt us.
 
A few boys and girls of same family went to watch the kangsa bodh jatra pala at their locality. Children are generally want to copy the elders and others. Children returned to their home but could not sweep out the scenes, dialogues, dresses and gestures from their mind. They also tried to implement an another jatra in their house according to the previously seen jatra. They collected everything  what they needed and copied but could not collect the mustech of kangsa. So they took hair from their elder sister's head at the time of her sleeping. They also collected the wickets, jorry, chumki, sari etc. from their elder brother and others. Their elder brother would always administer over them. On that occasional day they staged up the jatra but in the mid time the elder brother appeared there and their pala came into end. Seeing him everybody flew away except Kangsa who was throwing his dialogue. From there their sister told that there was no need to kill kangsa but they should kill the nature of kangsa from their mind. Peace was then very essential . Neither the fire of war would burn the world as well as human race.
 
    
 
    
 
    
 
    

 

* Satti Raja

A magician came to a tailor’s house of a village to show his performance and while having his supper, a fish bone suddenly pricked in the throat of the magician. The tailor’s wife took the magician to a medical practitioner’s house but the physician did not open his house door. Being frightened she left that almost dead man at the doorstep of the physician’ house. The physician saw him in the morning and thought that the king would hang him to death if hi could know about all of these. So he and his servants took the magician to under the shade of a big tree of a nearby jungle. A thief saw the magician at night.  He could not come to know his where about and being frightened he started beating the magicians. The magician’s body fell upon the thief. The thief started shouting for this mysterious incident. The night watchman came and thought that the thief was the murderer. So he took him to the king for his judgment and punishment. The thief was hungry and the physician was called by the theving. The physician then narrated the happenings in detail and sought punishment for him as he did not give any medical support to the magician. The king ordered the hangman to hang the physician till death. The tailor cane and confessed. Moreover he wanted to be punished for that occasion. The king changed his order and told that the tailor should be hanged. At that time a medical surgeon came an picked out the fish bone from throat at the magician. Thus it is proved that if anybody sins, the sinner always confesses his crime in that king Dom. The play of course has a very thought provoking message and it has an ethical ground which teaches us that truth has a magical power that elevates a man or a society or a kingdom towards the sublime happiness and peace.

    

    

    

 

* " Dhaanapati Upakhyan "

Script : Mainak Sengupta

Desigen & Direction : Biswanath Bhattacherjee

Motivation on life-struggle & glimpses ray of success for the-“Bahurupi” folk artist.

From the child-hood, Dhanapati has seen the anguish of Bahurupi business of his father and grandfather and therefore Dhanapati has rolled up himself from the business. To avoid this grief, he sells medicines from market to market. Dhanapati and also does not allow here wife to touch the box of dresses of Bahurupi. The dresses of Bahurupi remind the past incidents, reminds the oppression of zaminder daw against his father and grandfather. Sripati Bahurupi father of Dhanapati used to appear in a strange and various guises. Nobody could recognize him. The land lord was engaged with notorious activates and on the ether hand he was tyrannical. To frighten Zaminder, Sripati Bahurupi was dressed like a police inspector, He just stood before him and said “Hands up”. Zaminder was so afraid that he was about to cry. At last sripati discloses the truth before the police inspector. In that evening, Sripati was seriously whipped in front of Dhanapati. From that day, Sripati Bahaarupi rolled up himself from Bahurupi industry and ofter a few days he died and still now, Dhanapati can hear the cry of his father. Father of Dhanapati hear from Sripati about the grief of his grandfather Chidam Bahurupi Dhanapati saw the anguish of his father with his own eyes. But Parul, the wife of Dhanapati does not want to give up hope of the said business. She encourages her husband to disguise so that her husband may conquered the mind of human. She likes very much the dress of Bahurupi. At last, Dhanapati was controlled by his wife. As the selling of medicine was ceased, he came back to his Bahurupi art. It is the overcome of good power and it is the overcome of Bahurupi Artist.

           

 

          

 

 

*Bibhishaner Half Time*

Script : Gourish Mukhopadhyay.

Desigen & Direction : Biswanath Bhattacherjee.

Ramchandra is rolling about is dust and also saying  Sita is theft by Ravana the Monster king of Lanka. Laxmana consoling has elder brother that he is in mistake. But Ramchandra is told that he has seen own eyes. Now the two brothers are crying at random. They want to find out the way how they can rescue Sita. Just at that time Bivishan appears  and he consoles them. He says that Meghnad is doingpuja of Raksha Kali and we should overturned his puja neither nobody can defeat him in battle. Laxman and Bivishan appear in the jagyagrigha of Maghnad. Mahadeb is the gatekeeper of that jagyagrigha. one can enter the jagyagriha after getting his permission. Laxman is a hot tempered boy and he becomes involve make a row with Mahadev. After a long conversation Mahadev agreed. Laxman and Bivisan enter in to the jagyashala. Laxman become afraid to see Meghnad but Bivishan consoles him that he will also help in the fight with Meghnad. Meghnad becomes as tarnish to see Bivisan in the jghyasala.  He calls him as a traitor. Fighting starts. Fighting is going on. Just at that time Bivisan blows the whistle. Meghnad asks him that why Bivishan whistled. Bivishan says that no war, no enmity no saboteur. Now they should start the battle of justice. Peace must be appeared.

      

 

 

       

 

                                                                                              

                                                                                                 ‘ABHAMAN’

The dramatist Subrata Nag is elevated a darken scenery in the “ABHAMAN”  play which is very much contemporary from the mythological period that means from the time of Ramayana and Mahabharata to till date of modern social arrangement. He has drawn the society in front of a mirror by weaving the history and modern tie within a thread about the exploitation of women. The dramatist has tried to awake the sense of quilt and self reproach  masculine’s on the exploitation of feminine’s through the various active – reactive situations of the play. The main two characters have are the Karna’ of Mahabharata and a modern young man both of them are guilty of the same guilt for exploitation of woman. Disregard and anger arise on women in one of them being defrauded from love, affair, kindness, ete. And the other snatches the modesty of woman being neglected from love. But now both of them hide themselves in the cave being burnt of self acted sin and pain. They now can do only pray for forgiveness and they may get forgiveness only from women as because only women can forgive being stayed beside the human beings as a real human.

                                                                                                                              

 

Production- *BALAI* Motherless Balai reared up by his uncle and aunts from his early time. His uncle and aunt also loved him like their own child. Little Balai’s nearest and loving friend was nature. His relation with trees, bushes, birds and animals was very sweet. He cared the trees and bushes like his friends. Balai would feel very sorrow when the grass cutters come to clear the bushes. It looks that he felt pain for the trees. He planted a Shimul tree with very care and instead to his uncle’s disagreement he used to take care that tree to be grown. By this way Balai would spend his days loving bushes and trees. After a few days when he was going to cross his childhood his father returned from abroad. His father took decision to go back to abroad with Balai and truly he took Balai with him for his higher education. Uncle and aunt bade him good bye though they became very sad. It was very difficult to them to bid him good bye. Aafter a few days Balai wrote a letter to his uncle and aunt to send him photograph of his beloved shimul tree. That Shimul tree would spread the cotton from its fruits and took a large space so, the local people would treat the tree as their enemy and for that reason his uncle was bound to cut the tree. Balai wanted the photograph of that tree as a sign of his native village memory. But his desire was not possible to fulfill. His uncle and aunt had nothing except to share tears. They realized one more time that how the trees were too favorite to Balai. Uncle and aunt also realized totally that not only to love the trees not only to grow up the tree with love but also to make friend the trees that could possible for a maximum patience, Perseverance and attention. Story: Rabindra Nath Tagore Dramatize: Dr. Apurba De Light Design: Goutam Sarkar Music: Sovon Mondal Music Operator: Debargha Paik Makeup & Costume: Smriti Chakraborty On the Stage: Ivi Sanyal Debjani Biswas, Tithi Roy, Saikat Paik Biplab Bose, Sovon Mondal, Smriti Chakraborty Stage Design & Direction: Biswanath Bhattacherjee